Abstract:
The Mandala Agung at Puri Ahimsa displays the concept of
‘Architecture being non-architectural’ yet it remains based on
Balinese culture. This paper reveals the forms of local traditions in
the lay-out and preservation of these buildings in a qualitativedescriptive
manner. The Balinese physical-social value system is
revealed through sense-purpose-essence-awareness. The lay-out
of Puri Ahimsa signifies Cosmic Balance through the harmonious
relations between humans, God, and nature. Architecturally,
Mandala Agung is a synthesis of the rice cone form and the
openness of Balinese traditional pavilions (wantilan), applying the
Cosmic Balance through space in forming harmonious
relationships. Singling out the roof as the divine realm, the inner
space is regarded as a human realm (Tri Loka concept). The semicircular
space with the doors in opposite directions signifies the
balance of opposing forces. Natural balance and the Tri Hita
Karana philosophy are maintained in the Puri Ahimsa lay-out.
The shape and the openness of the wantilan are adapted to the
Mandala Agung architecture, while the Nawa Sanga concept is
adapted to the eight main pillars and the sky-light roof. Tri Hita
Karana is maintained in the inner space, and the philosophy of
Desa Kala Patra is concretised through its uniqueness for today’s
activities.
